Monday, July 9, 2012

Introduction

This is the culmination of my thoughts, questions, and theories about the Ridley Scott film Prometheus. The ideas and opinions expressed therein are based on limited, completely unqualified research, and a lifelong fascination with the Alien franchise. Alien and Aliens fascinated me upon seeing them for the first time as a child, and have subsequently been the source of most of my nightmares ever since.


Notes

Any references to Alien, Aliens or Prometheus that are underlined refer to those films and not the spacecraft or alien creatures of the same name.




The Narrative

A Little Push

The opening crawl of Prometheus is a massive, sprawling shot of beautiful landscape that immediately captures the awe of the viewer. The crisp cinematography leads us over the river and through the woods to a waterfall where something incredible is about to happen. A cloaked figure walks across the rocks to the top of the waterfall, and unrobes to reveal no ordinary man. This man is an Engineer; an enormous, sculpted individual who bears an uncanny resemblance to the Gods of Greek and Roman mythology. The Engineer looks across the water and we immediately realize that this being is not a native to this world. A spacecraft, in this case the familiar “flying saucer” of UFO lore, is hovering over the countryside.


The Engineer opens a small container to reveal a black liquid that is “alive” to some degree. As the spacecraft begins to depart into the clouds, the Engineer drinks the black liquid and immediately begins to convulse as his body begins to change and break down. He falls into the waterfall as his body disintegrates down to the molecular level. The strands of DNA continue to break and change, and multicellular organisms begin to grow in its place. The Engineer has seeded the world with life.

Fast forward thousands (if not millions) of years, and archeologists Elizabeth Shaw and Charlie Holloway are digging on an expedition at Isle of Skye, the largest and most northerly island of Scotland. The landscape looks eerily similar to the opening scene we just witnessed. Inside a cave, Shaw discovers a 35,000 year old pictogram similar to those that they’ve discovered from ancient civilizations all over the world: a group of people and animals worshipping a large humanoid who is pointing to a constellation. This large being is an Engineer, and they’ve been back to visit our planet a number of times since seeding it with life many millennia ago.



LV-223

“Say unto them, Whosoever he be of all your seed among your generations, that goeth unto the holy things, which the children of Israel hallow unto the LORD, having his uncleanness upon him, that soul shall be cut off from my presence: I am the LORD.” - Leviticus 22:3

Shaw determines that the pictograms are not just a star map of a distant star system, but rather an “invitation” to seek out our creators and find them once we have become technologically advanced enough to do so. Shaw and Holloway convince Peter Weyland, at the time the world’s wealthiest man and leading industrialist, to fund a mission to travel to this distant star system in search of the Engineers. Upon arriving at the moon LV-223 after nearly three years in cryogenic stasis, the team’s ship “Prometheus” sets down in a valley which has markings similar to the Nazca Lines in southern Peru. The valley houses several dome shaped structures, and the team sets out to investigate the closest one.

Inside the dome the team finds a pyramid shaped structure full of tunnels and chambers that echo the biomechanical architecture of the derelict spacecraft first seen in Alien. Atmospheric readings inside the structure indicate that the air is breathable to humans, despite the fact that earlier scans showed the planet itself could not sustain life due to high levels of carbon dioxide. Sunlight funneled in to the structure heated condensed water to create oxygen. In a leap of faith, Holloway removes his helmet and takes the first breath of air on an alien planet. The rest of the team follows suit and later speculates that this may have been the Engineers’ attempt at terraforming the planet.

The android David, who has had two years of solitude to study ancient cultures and their languages, activates a hologram recording that could be considered ancient security video footage. In the video we see the Engineers running through the halls of this massive structure in what we will later find out is their equivalent of a pilot’s flight gear. We see a group of them running, but we don’t know what they’re running from. The team follows the holograms to a door and sees the last Engineer stumble and fall before being decapitated as the door closes on his head. Outside the door the team finds the body of this slain Engineer. Using a carbon dating tool, they determine the remains to be approximately 2000 years old. Upon seeing the holographic recording and the body of the dead alien, geologist Fifield and biologist Milburn decide to head back to the ship. They’re clearly not interested in finding out what was chasing the Engineer or what lies beyond the door that severed his head.

While Shaw and team medic Ford investigate the Engineer’s remains, David scales a ladder and begins to decipher the mechanism that will open the door. Before Shaw can speak to the contrary, David opens the door to reveal a vast chamber full of vase-like ampoules spread out around an enormous monolith that eerily resembles a human head. On the wall of this cavern is a mural that depicts an Engineer crouched, with one hand inside what appears to be another body that is changing into something not quite Engineer and definitely not human. The team enters the ampoule room and we notice that there are organisms similar to mealworms in the soil, revealed beneath one of David’s boot prints.



Charlie investigates the area behind the monolith and finds an altar with a green crystal-like object perched atop it. Above this altar is a mural that while unfamiliar to these explorers is instantly recognized by fans of the Alien franchise. It is a Xenomorph perched in a position not unlike Christ on the crucifix, surrounded by other H.R. Giger-esque symbolism representing the Alien lifecycle. 



Looking at the mural, Charlie surmises that this room is “just another tomb”. Before the team can investigate further, the walls inside the chamber begin to change and David notices a black liquid begin to move and leak from one of the ampoules. Shaw speculates that exposure to the new atmosphere and the change in temperature has caused this. While it is only shown for a few seconds, we do catch a glimpse of the previously shown Engineer mural changing to that of alien hands holding the familiar egg containing a facehugger. A bad storm begins to move toward the dome, and the team is forced to retreat back to the ship. Shaw and Ford wrap up the head of the deceased Engineer to bring back for further study while David quietly freezes and bags one of the ampoules.


Big Things Have Small Beginnings

The team survives the storm and makes it back to the ship, not realizing that Milburn and Fifield have yet to return. Captain Janek informs the two that there is no safe way to retrieve them until the storm passes, so they’ll have to camp out inside the dome until morning. While wandering aimlessly through the halls of the pyramid, they stumble upon the bodies of a number of dead engineers in front of another wall that resembles the door the team opened earlier. Milburn notes that it looks like something exploded from inside each of them. Fifield had previously released several probes (referred to a “pups”) to scan and map the layout of the structure. Janek lets the pair know that one of the probes has picked up something that is reading as a life form in another part of the structure. The scientists decide to head in the opposite direction and camp out in the room with the ampoules instead.



Shaw, Ford and David begin examining the head of the dead Engineer. A scan of the head reveals that the outside is actually a helmet, and with David’s help they remove it to reveal the Engineer’s human-like head. The head appears to have active cellular growth, and Shaw decides to initiate a small electrical charge in an attempt to reanimate the tissue. As the Engineer’s head begins to come back to life, it undergoes the same type of changes seen at the beginning of the film when the Engineer drank the black liquid. Unable to stop the reaction, the team places the head into a decontamination chamber just before it explodes. Shaw and Ford continue their analysis and determine that the Engineer’s DNA is an exact match to human DNA. They are indeed our progenitors.

After a conversation with someone off-screen (later revealed to be Peter Weyland), David opens the stolen ampoule and begins experimenting with the substance inside. Fueled by a directive from Weyland to “try harder”, he decides to see what will happen if the substance is exposed to a living organism. He finds a drunken Holloway in one of the ship’s living areas, and covertly places a drop of the black liquid into a glass of champagne that he hands him. Charlie drinks the champagne and heads back to the quarters that he shares with Shaw. Unaware that he is infected, they sleep together.

Back in the dome, Milburn and Fifield notice movement within the black liquid. It is now leaking from all of the ampoules and forming pools on the floor. They are confronted by a blue, snakelike organism that is the result of the previously seen mealworms coming in contact with the black liquid. After getting a little too close while attempting to investigate the creature, Milburn is bitten on the hand and the snake wraps itself around his arm. As its grip tightens like that of a boa constrictor and eventually breaks his arm, Fifield attempts to cut the worm’s head off. The injury results in the creature’s acidic blood being sprayed across the front of Fifield’s helmet, which begins to melt, and he collapses face first into a pool of the black liquid. The worm’s head grows back immediately and quickly finds its way inside Milburn’s suit, killing him by forcing itself down his throat.



Changing

Change is a recurring theme throughout Prometheus: The Engineer sacrificing himself to seed the planet with life; the ampoules releasing their contents and the murals shifting as a result of the atmospheric change; the mealworms changing from harmless larva to deadly killing machines after coming in contact with the black liquid. The next change for the explorers came following the conclusion of the storm. Captain Janek leads a team to locate Milburn and Fifield while David ventures off to another part of the structure to investigate a probe that is believed to be broken. They discover Milburn’s corpse in the ampoule room, but Fifield is nowhere to be found. By this time, the changes occurring within Charlie’s body have begun to manifest, and he collapses. Janek helps Shaw carry him back to the transport, and they ask the remaining Prometheus crew to prep for quarantine procedures. Holloway continues to change in a manner similar to the Engineer who drank the black liquid. Before the team can bring him into the cargo bay, they are confronted by a flamethrower wielding Meredith Vickers who states that because he is infected, he cannot be allowed back on the ship. Rather than risk the life of the woman he loves, Holloway sacrifices himself by asking Vickers to immolate him. Restrained by Janek, Shaw collapses.

She awakens in the ship’s medical bay, where David is removing the crucifix necklace given to her by her father. Since Shaw asked for full quarantine, all crew members are being checked for the infection that resulted in Holloway’s death. David asks Shaw if she had sexual relations with Charlie prior to his death, and subsequently reveals that she is three months pregnant. This comes as quite a shock to Elizabeth as they had copulated only 12 hours prior, not to mention that fact that she herself was unable to bear children. David remarks that the fetus is not exactly normal, and she asks to see it. Becoming agitated, David sedates her and says that it would be better to put her back in cryostasis. As seen in the previous films in the Alien universe, Weyland has a thing for getting people impregnated with alien lifeforms and then putting them to sleep to be harvested later.

Shaw plays possum as Ford and another crew member attempt to prep her for stasis. She attacks both with a blunt object she was hiding beneath her, and makes her way to the automated Med Pod in Vickers’ quarters. By this time the alien fetus in her womb has grown even larger in size. She attempts to configure the pod for a caesarian, but finds that it is only configured for surgery on a male patient. She manually configures it to remove a foreign body from her abdomen, injects herself with painkillers, and climbs into the pod. The organism begins moving within her abdomen as she pleads for the robotic surgeon to remove it from her body. After applying a local anesthetic, the pod creates an incision and removes the alien from her. Shaw briefly stares at her “baby” before being doused with amniotic fluid as it begins thrashing and ruptures the placenta. 



She tears the umbilical cord from her squid like offspring and screams for the med pod to sew her back up. With her abdomen stapled shut, she escapes the operating table and immobilizes the alien by initiating the pod’s decontamination procedure.



Juggernaut

Stumbling through the halls of the Prometheus, Elizabeth happens upon a very much alive Peter Weyland. Having faked his death, Weyland hid in stasis aboard the Prometheus. He communicated only with David via a neural interface that allowed the android to view his creator’s lucid dreams. David gives a barely clothed and obviously shaken Shaw his lab coat to cover up with and helps her to sit down. It turns out that Weyland intends to meet the last surviving Engineer that David has discovered in hopes of finding the secret to living forever. Shaw pleads with Weyland that they were wrong and that this place is not what they thought it was, and that they must leave. Undeterred, he asks her if Charlie would have given up so easily.
Despite just having major surgery, Shaw pumps herself full of painkillers and suits up to accompany the expedition that is going to awaken the remaining Engineer. Before she can depart, Janek explains his belief to her that this place is “hell”. He proposes that the planet was a military installation created by the Engineers as a depot to hold their ships loaded with the black liquid, a veritable “weapon of mass destruction”. He tells Shaw that he can’t allow any of it to travel with them back to Earth, and she says that he must do whatever he can to make sure that doesn’t happen.

Shaw joins David, Ford, Weyland, and one of his bodyguards back to the temple. They follow the tunnel that David explored earlier and arrive at what he refers to as a cargo bay, full of the ampoules. It turns out that this part of the structure is actually a ship. Having watched another holographic recording of the Engineers interacting with the controls, David knows how to activate it and proceeds to do so. He then presses a series of buttons on the sleeping chamber of the last surviving Engineer and awakens him from stasis. The Engineer rises and is greeted with the sight of one of his species creations: humans. 



Weyland instructs David to tell the Engineer why they’ve come, before being interrupted by Shaw. She wants to know why they decided to destroy humanity, their “children”, by sending a ship full of the black liquid to Earth. Upon seeing Weyland’s bodyguard strike Shaw to silence her, the Engineer loses his cool. Despite what seems to be an initial fascination with the humans’ android creation, he proceeds to rip David’s head off, beat Weyland to death with it, and quickly dispatches with the other members of the expedition. Shaw makes the only smart move of the group and quickly flees the ship. The Engineer activates the ship’s cockpit and a familiar structure rises from the floor of the chamber – the same telescopic chair seen inside the derelict spacecraft in the original Alien film. He climbs into the pilot’s seat where an elephant shaped helmet lowers onto his head and the bone-like armor encloses around his body. He begins the launch sequence as Shaw escapes from the bowels of the structure and reaches the surface.

Back on the Prometheus, Vickers, Captain Janek, and pilots Chance and Ravel have witnessed the death of Weyland and the remaining crew. Vickers remarks that it is time to go home, but not before they are radioed by Shaw. She explains to Janek that the ship is headed for Earth with a stockpile of the black liquid containers, and that if they don’t stop the Engineer “there won’t be any home to go back to.” Janek tells Vickers to abandon ship and has the pilots prepare the Ion engines for flight. As the Engineer’s ship rises into view, one of the pilots remarks that activating the engines inside the atmosphere will turn the ship into a bullet, which is exactly what Janek intends to do. He offers the pilots a chance to abandon ship as well, but they choose to go down with their captain and offer assistance taking down the Engineer as Janek is apparently a “shit pilot”. Vickers ejects and Prometheus jettisons her living quarters to give the ladies a chance to survive on the planet. 



The pilots activate the ion engines and collide with the Engineer’s ship, destroying the Prometheus and crippling the Juggernaut which tumbles back to the surface. Shaw and Vickers quickly realize that the ship is going to land on top of them, and attempt to outrun it. Shaw is apparently the only one smart enough to run opposite the path of the falling ship, and Vickers is crushed beneath the rolling Juggernaut as it finally comes to a stop.

Confrontation

Shaw climbs out from beneath the wreckage just as her air supply beings to run out. She makes her way back to Vickers’ living quarters, which according to Janek would have enough resources to sustain them for up to two years. She begins gathering supplies when she notices movement within the room that contains the med pod. A tentacle appendage slaps against the door’s window and it appears that Shaw’s alien offspring has survived it’s decontamination and grown to an enormous size. Before she can investigate further, Shaw is contacted via radio by David. He apparently survived not only his beheading, but also the crash of the Juggernaut. He tells her that she must flee, as the Engineer has survived and is coming for her. The Engineer enters the craft in pursuit of Shaw. Just before reaching her, she shouts “DIE!” and opens the doors to the med pod room. 



The alien creature bursts forth and grabs the Engineer as Shaw flees the craft. The Engineer attempts to fight off the enormous squid-like Alien, but is quickly overpowered. It reveals a vaginal mouth full of teeth before unleashing several smaller tentacles that grab the Engineer by the head. The alien then thrusts a tentacle down the Engineer’s mouth that finally kills it in a manner similar to how the alien worm earlier dispatched of Milburn. As the camera pans away it becomes obvious that the squid was a sort of massive facehugger, which having completed its purpose goes lifeless atop the Engineer’s body.



On the planet’s surface, Shaw breaks down in to tears. She is contacted again by David who seems both surprised and happy that she survived. He tells her that they can still escape this planet as there are more Engineer ships, and he knows how to pilot them. She recovers David’s head and body from the crashed Juggernaut, and loads them onto one of the remaining off-road vehicles from the Prometheus. He tells her that he should easily be able to pilot the ship back to Earth, but Shaw tells him that they’re not going home. She wants to go to the Engineer’s home to find out why they created us and then decided to destroy us. Another Juggernaut rises into view near one of the other temple structures on the surface, and quickly darts off into space with a flash.

Back inside the remains of Vickers’ jettisoned quarters, the Engineer’s lifeless body begins to move and convulse. A pointed head cuts through the chest of the dead Engineer, splitting it open. A vaguely humanoid creature falls from the Engineer’s body onto the floor and begins to move. It is clear as the creature begins to stand that it is not the classic Xenomorph, but something different altogether. The proto-xeno’s head arches back as a secondary jaw moves forward from its mouth, letting out a loud wail.





Theories & Musings

Sacrifice & The Prometheus Myth

There are multiple examples of sacrifice throughout the plot of Prometheus, beginning with the film’s opening.

·         The Engineer downs the black liquid in order to seed the planet with life. This Engineer sacrificed his own life in order to provide the building blocks that would lead to the birth of humanity. Based on the star map that David discovers when activating the hologram inside the Juggernaut, we can surmise that they have repeated this process on other worlds.
·         Charlie is the next to sacrifice himself when he tells Vickers to kill him. Granted, this comes as a result of David dosing him with the black liquid.
·         It could be argued that Shaw becomes an unwilling sacrifice when she is impregnated with Holloway’s contaminated alien sperm. Fortunately for her, she survives David’s experimentation and has the alien offspring removed by the med pod before it can finish the job.
·         Captain Janek and the pilots of the Prometheus perform perhaps the most notable sacrifice when they crash the ship into the Juggernaut to prevent the Engineer from destroying life on Earth with the black liquid.

The idea of sacrifice also ties in with the story of Prometheus in Greek mythology. Prometheus, one of the Titans, is credited with the creation of man. He is also responsible for stealing fire from Zeus and giving it as a gift to humanity to inspire progress and civilization1. His punishment for this theft is that he is chained to a boulder for eternity, where every day and eagle will come devour his liver. This symbolism of something cutting or emerging from the abdomen occurs throughout the film:

·         The mural of the Engineer inside the ampoule room shows a large crack or cut across the abdomen.
·         Shaw’s alien offspring is extracted from an incision cut across her abdomen.
·         The proto-xeno that incubates inside the Engineer emerges by cutting open the abdomen and chest of the host with its head.

Ancient Astronauts

The idea of the Engineers visiting our planet throughout history fits in nicely with the “ancient astronaut” theory that intelligent extraterrestrial beings have visited Earth and made contact with human beings. These beings with advanced technology would be revered as Gods capable of magical or mystical acts by ancient humans. It also explains how many of the structures on earth that seem out of place might exist, given the incongruences with the time period in which they were built and the technology that was available. The great pyramids in Egypt and the Moai stone heads of Easter Island may have actually been built by the Engineers, or they may have aided humans in building them. It’s clear from the pictograms discovered by Shaw and Holloway throughout the world that the Engineers came back to visit humanity over many thousands of years. It is inferred that they may in fact be responsible for steering the course of human history up to a certain point.

Our Savior

So what was the turning point? Something led to the Engineers abandoning all hope in humanity and deciding to wipe out the children that they had nurtured for thousands of years. We know from the age of the star map pictograms that the Engineers visited Earth early and often throughout humanity’s history, but then abruptly stopped. The first holograms seen by the explorers are of the Engineers fleeing through the tunnels of the pyramid. Playback of the hologram ends in the death of the Engineer who collapses and is beheaded by the door of the ampoule room. Carbon dating performed by Shaw on the corpse of the fallen Engineer indicates that it is approximately 2000 years old.

It just so happens that a somewhat significant theological event occurred around 2000 years ago – the death of Christ. We know that the Engineers visited ancient humans throughout the years, and are most likely the inspiration for the Gods and Goddesses seen in various religions all over the world. Is it possible that one of these Engineers was in fact Jesus Christ? It certainly lends an answer as to why the Engineers would all of a sudden decide to wipe out humanity; they sent us a “savior” to teach and guide us, and we responded by killing him. As pointed out by Rob Bricken in his Prometheus FAQ, it may also explain why Christians think a Middle Eastern Jew born in the first century was a white man2.

Older Ship, Newer Technology?

One of the common criticisms of Prometheus is that the technology shown in the film doesn’t match up with what’s seen in Alien, given that the events in Prometheus precede those in Alien chronologically by several years. The best analogy I have seen to explain this is the comparison between the space shuttle and a garbage truck. While the garbage truck may have been built many years after the first space shuttle, it would require much less sophisticated, albeit more rugged controls and features. It would also not appear nearly as technologically advanced or “shiny and new” due to the type of work that it is responsible for carrying out.

The spacecraft Prometheus was the pinnacle of Weyland Industries engineering, built to fly a scientific mission to seek out the answers to the biggest questions about the nature of life. The Nostromo was the equivalent of a space tug boat, hauling a refinery full of mineral ore across the galaxy. It is mentioned in the behind the scenes documentary included with Alien that the crew of the Nostromo are the equivalent of “space truckers”. The sets of the Nostromo’s interior were designed using large transistors and low-resolution computer screens to give the ship a used, industrial look and make it appear as though it was constructed of retrofitted old technology3,4.

Where’s Vickers?

I made it a point to only reference the character of Meredith Vickers when her presence was needed to explain a portion of the plot. Thankfully, that didn’t happen very often. There is no mention of any of the following because frankly, Vickers did little to advance the story or contribute in any way to explain the mysteries of Prometheus:

·         Her role at Weyland Industries or on the Prometheus mission
·         Her limited interaction with the other members of the crew
·         Her relationship with David and Peter Weyland
·         The question of whether or not she is an android
·         Her possible sexual encounter with Captain Janek
·         The specific details of the incredibly stupid manner in which she met her demise, which in retrospect was a very fitting way to go for her terrible character.

I love Charlize Theron, but her character in this movie was in my humble opinion completely pointless and unnecessary (save for the naked pushups scene of course.)

Alien DNA

Despite whatever issues film critics, auteurs, and the general movie going public may have with Prometheus, one thing it does deliver on is Ridley Scott’s promise that there would be traces of the original Alien in this film. That is not to say that Prometheus is in any way a prequel to Alien. While the events of this film take place in the same universe as Alien and the story elements do precede it, Prometheus does not end where the first film began. To clarify, it does not end with the derelict spacecraft crashing on LV-426, sending out a warning signal before the pilot’s untimely demise as the result of the birth of a facehugger.

What it does provide is insight into one of the biggest questions that fans of the Alien franchise have been asking since they saw the first film, namely “Who was the guy in the chair of the derelict spacecraft?” While we are never given the answer to who exactly he was or how he ended up there with a massive hole in his chest, we now know a few things for sure:

The Derelict

·         The structure investigated by the crew of the Nostromo was a spacecraft similar to the Juggernaut piloted by the Engineer in Prometheus.
·         The chair that the Space Jockey was seated in was the equivalent of the pilot’s seat in the spacecraft.
·         The Space Jockey with the hole in its chest was actually the flight suit of whoever was piloting the spacecraft.
·         It can be assumed that the remains of whomever or whatever was inside that suit had decomposed long before being discovered by Dallas, Lambert, and Kane.

The Alien
·         The Engineers knew what the Xenomorphs were and were familiar with both the creatures and their lifecycle, as evidenced by the murals inside the ampoule room.
·         The black liquid is somehow responsible for the creation of the Xenomorphs in some way. Unfortunately it is unclear how interaction with a living being results in the creation of the classic Xenomorph that we know from Alien, based on the sequence of events shown in Prometheus:

o   Engineer drinks black goo that breaks down his body and seeds planet with life, resulting in the evolution of mankind.
o   Worms bathe in black goo and turn into hyper aggressive vagina mouthed cobra snakes that break arms, regrow heads, and kill Milburn via suffocation.
o   Goo turns worms’ blood into acid that melts Fifield’s helmet and transforms him into some sort of boil faced super strong contortionist Zombie.
o   Ingesting a drop of the goo gives Holloway alien-infused sperm that is able to impregnate an otherwise sterile Shaw with an alien baby.
o   Said goo also begins to transform Holloway either into a zombie like Fifield or slowly breaks down his body like the Engineer at the beginning of the movie. We never see what the end result is because Vickers goes all burning monk on him before we can find out.
o   Alien baby inside Shaw grows at an alarming rate. Within 12 hours it appears to David that she is the equivalent of 3 months pregnant. It continues to grow before finally being excised by the med pod to reveal an aggressive, squid-like facehugger offspring.
o   Decontamination of med pod does not kill squid, which continues to grow in size. Shaw eventually releases squid which kills Engineer by forcing tentacle down its throat and implanting it with alien embryo. Squid dies.
o   Embryo grows inside Engineer and escapes from host’s body by cutting chest cavity open with the back of its pointy head, as opposed to typical chestburster which punches a hole through victim’s breastplate.
o   New alien/proto-xeno emerges from host fully formed rather than in the chestburster snake/lizard body with tyrannosaurus arms.
o   Proto-xeno does not have secondary mouth on end of phallic tongue, but rather a secondary jaw inside of primary jaw.

Paradise

While the viewer is left with many questions to ponder at the conclusion of Prometheus, the most obvious has to be “where does the story go from here?” We are led to believe that Shaw has departed LV-223 aboard an Engineer spacecraft, piloted by David or at the very least flown with his assistance. She wants to go to the Engineers’ home to find out why they wanted to wipe us out. But what will she find there? Does Shaw truly believe that she is going to find the answer to the meaning of life? If David and Holloway’s conversation about why humans created androids is any indication, the answer we receive may not be the one we were hoping for, nor will it be one that we are in any way prepared to accept.

Fans of Alien and Aliens may be hoping for a story that ties into or sets up the events on LV-426. Unfortunately I don’t know that we will ever get those answers, at least not in a neat little box that will explain everything. The clues provided in Prometheus are probably the closest we will ever get to understanding how the derelict ended up on Acheron, with a dead Space Jockey at its controls and thousands of xenomorph eggs in its belly.


Conclusion

I wrote this as a way to get my thoughts about Prometheus on paper. My hope is that these ideas might explain some things that other folks didn’t quite understand or notice when seeing the film. As stated in the introduction, everything expressed hereto is based on incredibly limited research and my overall fandom of Alien and Aliens. I apologize in advance for references to other works and photos from which I have undoubtedly forgotten to cite. These omissions are completely unintentional, and it is not my intent to copy or infringe on ideas that anyone else has already written regarding Prometheus.

TL;DR If you feel I’ve plagiarized a piece of your work, please accept my most sincere apologies and let me know as I’ll be happy to cite additional sources or remove content where appropriate.


References

1.    William Hansen, Classical Mythology: A Guide to the Mythical World of the Greeks and Romans (Oxford University Press, 2005), pp. 32, 48–50, 69–73, 93, 96, 102–104, 140
2.    Rob Bricken, Rob’s Prometheus FAQ (Topless Robot, 2012) http://www.toplessrobot.com/2012/06/robs_prometheus_faq.php
3.    Charles de Lauzirika, The Beast Within: The Making of 'Alien' (20th Century Fox Home Entertainment, 2003)
4.    Set design and filming, Alien (Wikipedia, The Free Encyclopedia, 2012)


Additional Reading
·        
IGN Prometheus Wiki Guide – Official Quotes –  http://www.ign.com/wikis/prometheus/Official_Quotes
·         The Bioscopist - The Linguistics of Prometheus – What David Says To The Engineer - http://thebioscopist.com/2012/06/20/the-linguistics-of-prometheus-what-david-says-to-the-engineer/
·         Mark Salisbury, Prometheus: The Art of the Film (Titan Books, 2012)
·         /r/LV426 – http://www.reddit.com/r/LV426/ - A subreddit for fans of James Cameron's 1986 sci-fi classic Aliens, and anything else related to the Alien franchise (including the Predator series and the new film Prometheus).